Working in a Series IV
In this instalment of Working in a Series, we talk about Sketching, Material Experimentation and Collaboration.
In this instalment of Working in a Series, we talk about Sketching, Material Experimentation and Collaboration.
We continue to talk about working in a series with a discussion on mind mapping and visual research.
Choosing a theme or subject is an important aspect of creating a series of works.
Working in a series is a powerful way to explore a particular theme or concept. It allows you to delve deeper into a subject, develop your ideas and create a cohesive and connected body of work
I am so so excited! I’ve been playing with this technique for a while and I’m thrilled with the results. Plus … the possibilities are endless! So, if you are tired of creating the same old prints with your gelli plate and want to learn a new technique that will take your printing game to…
It’s February and I’m feeling the February blahs. I have a few set of things I do to keep myself engaged, creative and sane. Read on!
Getting rid of the past to allow it to stay there where it belongs, in the past. Remembering times gone by with fondness and creating work around it to celebrate those memories.
Join me for an exciting tour of Halifax, Peggy’s Cove and more. All happening June 2-8 with an added post tour June 8-11 to attend Quilt Canada. Workshops, guided tours, even a lobster dinner!
When you wake up on a funk, how do you get out of it? I share what I do to get back to feeling centred and connected.
New Classes have been added. Check the website or click on the links provided in the post.
New Year. New Goals? New Resolutions? Exciting ideas dancing around.
Happy New Year! A great way to start the year is with a workshop to learn a new technique or brush up on an old one. I am offering some workshops in January and I hope you’ll consider joining me for one.
Thank you to those who joined Create2Flourish during open registration.
We are talking about having expectations about our art, and making a lot of bad art to make some good art
We continue where we left off – and end the discussion with the fourth reason given most often for not choosing Must: Vulnerability – far scarier and spoken about much less, because choosing Must means you must confront some very big fears: what’s all this for? Some obscure dream? A childhood fantasy? A fleeting feeling…